- 正在播放《倒计时》HD中字 - 量子
- 提醒不要轻易相信视频中的任何广告,谨防上当受骗
- 技巧如遇视频无法播放或加载速度慢,可尝试切换播放节点或者切换解析
- 收藏免费视频大全网址:www.22vod.top / www.22vod.top ,记得收藏哟~
剧情:
The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com收起
【正片】
官网同步更新,若有延迟请稍作休息再看看
官网同步更新,若有延迟请稍作休息再看看
【正片】
官网同步更新,若有延迟请稍作休息再看看
官网同步更新,若有延迟请稍作休息再看看
【正片】
官网同步更新,若有延迟请稍作休息再看看
官网同步更新,若有延迟请稍作休息再看看
【正片】
官网同步更新,若有延迟请稍作休息再看看
官网同步更新,若有延迟请稍作休息再看看
【正片】
官网同步更新,若有延迟请稍作休息再看看
官网同步更新,若有延迟请稍作休息再看看
相关影片
更新HD
更新HD
更新HD
更新HD
更新HD
更新HD
更新HD
更新HD
更新HD
编剧兼导演阿扎泽·雅各布斯(《法式出口》、《那些爱人》)执导了这部苦乐参半且趣味横生的故事,讲述了一位年迈的家长和三个成年女儿在他生命的最后几天陪伴在他身边的故事。凯蒂(凯莉·库恩饰)是一位控制欲极强
更新HD
HD
更新HD
HD
HD
【资讯】导演金鎮雅将执导由Insook Chappell编剧,英国电影协会给予开发支持的韩英合拍电影《巴里公主》。 电影《巴里公主》改编自黃晳暎作家的韩国小说《巴里公主》,小说以朝鲜族巫俗神话故
HD